There were over 300 production groups in the early nineties, but the country now only counts a handful of film makers able to continue their trade. Is it due to the lack of funding mechanisms or a problem of artistic capacity?
EQUITY WEEKLY
There were over 300 production groups in the early nineties, but the country now only counts a handful of film makers able to continue their trade. Is it due to the lack of funding mechanisms or a problem of artistic capacity?
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